What a difference one month can make. In early February, Acker was celebrating its 200th anniversary in full frontal fashion. Dinners, auction, gala. It was a great week, and now a reminder of good times rolling, good times that will be back again soon. There were three extraordinary dinners that week, and the Rare Legends dinner at Daniel was most certainly one of them.

The first flight highlighted the majesty of Coche-Dury’s premier cru holding of Meursault Perrieres, beginning with the 2008 vintage. One found it ’spongy,’ while I thought it was a touch tropical and definitely ripe. This felt a bit advanced and gamy, though it remained rich and sweet, almost sugary. It was less complex than I remembered but it got much better with food (94).

The 2007 had a great nose and an even better palate with far better balance. It was long, zippy and icy with nice yellow flavors. This had solid length and nice grit, in a much more stylish, lean manner, with a precise finish. This was the best of the three bottles I have had of this wine in 2020 (96).

The 2005 was a big, rich and broad-shouldered Coche. It was sweeter than the ’07 and richer, too. Hamburger noted its ‘opulence,’ while Paul and Vinivici found it ‘unctuous and powerful.’ Pitts was also in the ’05 camp, and another noted the ‘best balance of fruit and acid.’ This wine’s tremendous richness made it win the flight by a group landslide (97).

The second flight of the evening showcased the majesty of Montrachet, four wines from the 2011 vintage by a few of the best producers in the Côte de Beaune. It began with the 2011 Drouhin Montrachet Marquis de Laguiche from a perfect magnum. It was sweet, rich, decadent and very honeyed. There was great length here, too, to this delicious Chardonnay. It’s tough to beat Drouhin’s Montrachet for price/quality ratio when it comes to Montrachet (95M).

The 2011 Comtes Lafon Montrachet showed some banana on the nose and palate, with a tropical sweetness and a touch of glue. It was initially a bit awkward on the finish, but Alberto noticed it got better and drier with food, becoming his favorite. I agreed that it got better, and so Pitts, channeling his inner Tony the Tiger and proclaiming, ‘it’s great!’ (95).

The 2011 Comtes Lafon Montrachet showed some banana on the nose and palate, with a tropical sweetness and a touch of glue. It was initially a bit awkward on the finish, but Alberto noticed it got better and drier with food, becoming his favorite. I agreed that it got better, and so Pitts, channeling his inner Tony the Tiger and proclaiming, ‘it’s great!’ (95).

The 2011 Ramonet Montrachet was a rock star white, with loads of minerals, zip and amazing length. There was great minerality and white ice in this long, long, long, zippy, zippy glass of majestic white. It was clearly the best of the flight (97+).

We finished the flight with the 2011 DRC Montrachet, which was a bit tropical as well, almost ‘like the ’08 Coche,’ someone said. The palate was big and brawny but not very showy. It was a bit shy, rich but shy. I wondered if there were better bottles; I felt like it under-showed and was most certainly a surprising fourth place in this quintessential quartet (94).

We moved onto reds with a spectacular flight of 1993 red Burgundies. The 1993 Dujac Clos de la Roche was full of dank olives, with a sexy and gamy nose. This was a musky wine with rich, creamy notes and some nice jam on it. Decadent and brothy, the Clos de la Roche had a lot of fruit for a ’93. It was the most open of the flight with dark and foresty tones, and another killer wine from the Dujac assassins (96).

The 1993 Rousseau Chambertin was deep, dark, vitaminy, irony and rich. This wine was deep, deep inside. It was long and strong with a great flash of black and purple fruits. There was a fair amount of game as in ’got game,’ and everything was in the right spot. Its sweet core tickled my fancy, and it was so long in a beautifully brooding way, what a wine (98).

The 1993 Domaine Leroy Richebourg was strong and powerful. It was deeper, darker and blacker than the previous two wines. Someone admired its ‘viscosity kiss,’ and I was wrapped up in its strength and length. Its dry finish was admirable, even though there was no mistaking its bigness. Pitts wrapped up this flight quite eloquently when he said, “There was no least favorite for me, it was like choosing between Beethoven, Mozart and Bach.” Well said (97).

It couldn’t be a Rare Legends dinner without a La Tache flight, and most appropriately we began with a 1990 DRC La Tache. This was another rock star wine with great depth and freshness. This was fresh like the Versailles garden. It was rich, leathery and black with a touch of partridge with the buckshot still in it. It was so long and stylish, continuing to unfurl until there was regrettably nothing left in my glass (98).

The 1985 DRC La Tache was terribly shot, so we moved on (DQ).

The 1985 Dujac Clos de la Roche had a melange of the full spectrum of fruits — black, red purple and blue. There was great forest floor and tree bark complexities, and fresh floral notes, a true cornucopia of outdoor goodness. This was deliciously stylish and good, flirting with a higher score (97+).

The 1978 DRC La Tache was as good as it gets. It resided in menthol city with any and every fruit readily apparent in an amazing, smorgasbord fashion. It was a kaleidoscope of colors: red, purple, blue and even more. There was great earth and leather, too, accompanying the spectacular mint notes. It was in the perfect spot at age 42 (99).

Bordeaux came next with a flight of the historic 1959 vintage. 1959 and 1961 have often been compared over the years, but as time goes on, I find myself more and more in the ’59 camp overall. Not every wine, not every bottle, but just in general, at least for the Left Bank. This flight didn’t disappoint. First up was 1959 Chateau Haut Brion, which had a spectacular nose of chocolate and tobacco. There was plenty of zip left in it with some band-aid, charcoal and gravel aromas to add complexity. I could sense how long the palate was before I tasted it, and it was terrific and sensual, full of chocolatey, creamy and tasty greatness. There was lots of gravel on the finish, and Hamburger found a ‘particular freshness to it’ (98).

The 1959 Chateau Lafite Rothschild was shy and a bit dark, cloudy and murky. It was not a great bottle, showing mostly peanuts and a little earth. It was the most mature of the flight, and while not an ‘off’ bottle of this wine, it wasn’t an ‘on’ one either. This wine often wins 1959 challenges but not on this night (95).

The 1959 Chateau Latour was deep, dark and brooding as Latour often is. It had hints of chocolate and smoke with lots of grit. There was a touch of twang and charcoal with tremendous length. It was a little chunky and still felt too young, give it 20 more years, at least this bottle needed it (97+)!

The next flight brought out more legends, this time honoring the Northern Rhone and Piedmont. We began with the headline act also known as the 1990 J.L. Chave Hermitage. I’d recently tasted two magnums of this in January that remained at the forefront of my brain, but that didn’t take away from the thrill of this bottle. There was great minerality, and it was consistent with my most recent, previous tastings. The Chave was like a full meal with its vegetable, animal and mineral components — WOW. It was long, fine and meaty, with flavors of iron, bacon and violet. This wine pretty much had it all (98).

The 1990 E. Guigal Cote Rotie La Mouline was darker, deeper, chunkier and blacker. Vinivici found its ‘acidity ringing,’ and it was definitely rich, decadent and heavier than the previous glass, but not as stylish (96).

We finished this flight with a 1990 G. Conterno Barolo Monfortino Riserva, which was not the best bottle ever of the wine, but it was still outstanding. It was a bit shut down and shy, but still with loads of length and leathery zip. There was a touch of tar, open road and tobacco on its finish. I generally like this vintage of Monfortino a bit more, or maybe the Chave just stole the show (96).

I was running out of steam, but we had one flight to go, a series of 2001 California Cabernets. The 2001 Colgin Cariad was noticeably heavier in style (93), while the 2001 Harlan Estate was a bit richer and still quite heavy as well (94). The 2001 Opus One had the most Bordeaux-style elegance (95), and we finished with the 2001 Heitz Cellar Cabernet Sauvignon Martha’s Vineyard (93).

Start curating now! And in the meantime, stay safe. By staying apart as much as possible, we’ll get through this together. All the best to everyone, I hope these notes can provide a bit of respite for each and every one of you.

Everyone ready for flu season to be over? Some weeks are worse than others, and this last week sure felt like one of the worst of all time. It felt like an Atomic bomb hit all of the US simultaneously, and that everyone will be staying home a lot more these next few weeks. But is your glass half-empty or half-full? I try to keep my glass at least half-full, and I say the best part about staying home is getting to drink more of your wine! As far as fine and rare wine goes, it has been a great year, and drinking great wine is the best bet to make your year even greater, in case you forgot. Consider me here to remind you with a recap of another exhilarating evening of delicious and decadent wines.

Much better than an Atomic bomb is an Atomix bomb, with Atomix (pronounced like attaboy, I believe) being an exciting and relatively new restaurant in New York City. It is definitely an experience, and many of New York’s most sophisticated collectors gathered recently on one evening to experience the restaurant exclusively. The wines were even more exclusive.

We started with a superlative magnum of 1988 Salon which was pretty much perfect in every which way. It had a rich nose full of vanilla aromas that Big Boy quickly gave 98 points. It was long and scintillating with a nice sweetness and powdered goodness to it. This was rock star stuff with great acidity and still on the upswing. In the end, I agreed with Big Boy, which is always highly recommended (98M).!

The second Champagne was 1973 Dom Perignon. Big Boy was hating on it, but it was still good, perhaps a touch mature as many old bottles of Champagne are prone to be. There were cream soda flavors and a rich, dry finish. It was sadly served too warm (93).

We got into the white Burg zone with a 2007 Coche-Dury Meursault Perrieres. It was a bit yeasty for Coche, more waterfall and milk on the nose than the usual Coche kink. The palate was minty and long with lots of spice, some ginger kisses, but it was on the root vegetable side. This leaned out a bit with air, more the vintage than the wine (95).

The 1996 Coche-Dury Meursault Perrieres was buttery, honeyed and very gamey. It was rich and decadent but in a too flamboyant a fashion. There were tapioca flavors and a touch of nutmeg to this wild bottle. Some seaweed in a food course lifted it up, but I felt like this wasn’t a perfect bottle, perhaps a touch heat affected (94?).

The 1996 Coche-Dury Corton Charlemagne had a similar story. It was very tropical with super apricot and orange aromas. This was quite honeyed once again, but richer than the palate of the previous wine. Someone remarked that they ‘didn’t know if either of these wines were great.’ This was very tropical and coconutty with loads of rum and the butter. Either this vintage for Coche has turned the corner quickly, or we had a couple of outlier bottles (94?).

We changed gears with a bottle of 1985 Domaine Leflaive Bienvenues Batard Montrachet. It had a smoky and toasty nose with rich yellow fruits, classic Leflaive. This was pretty exceptional with its great richness and balance. It still felt youthful and on the ascending side of its life. The palate was delicious was great floral components and a touch of game to its fruit. An outstanding bottle (96).

We kept the vertical going with a big, brawny and smoky 1999 Domaine Leflaive Bienvenues Batard Montrachet. This was another great Leflaive BBM and a powerful, classic example of the 1999 vintage. It had terrific length and an earthy undertone that I was diggin’ (pun intended, waka waka). I was very impressed (97).

The 1996 Leflaive Bienvenues Batard Montrachet felt a touch ‘flat’ to the Curious Gourmet and maybe it had reached maturity, though it was not bad. A few people were saying that they had drank better bottles (93).

The red wines began with a bang thanks to a strong bottle of 1985 Rosseau Chambertin Clos de Beze. It was outstanding from the get-go, with great length and zip. It was still on the tight side and young for an ’85. It kept unfurling and lingering on the palate, with great cedar and a flash of fruit on the strawberry city side. This was an amazing wine still with a long way to go (98).

The ’85 parade continued with a 1985 Meo Camuzet Clos Vougeot. This was one smoky, sexy “JAYER” Clos Vougeot, I wrote, because I have long been under the impression that Jayer made all the Meo wines from 1985-1988. Meo later corrected me that he didn’t vinify all the wines, such as the Clos Vougeot. It sure tasted like he threw two cents in there! It was packed with sexy, purple fruits and lots of spice. This was rich, decadent and floral with a nice leathery spice and a saucy finish (95).

The 1985 Dujac Clos de la Roche had a melange of the full spectrum of fruits — black, red purple and blue. There was great forest floor and tree bark complexities, and fresh floral notes, a true cornucopia of outdoor goodness. This was deliciously stylish and good, flirting with a higher score (97+).

We moved on to a spectacular bottle of 1985 Ponsot Clos de la Roche. It was rich, decadent and super concentrated. This was a perfect bottle of this wine, and it was clearly nestled in the strike zone of Ponsot’s best vintages. It is an outer-worldly wine in the context of the 1985 vintage, a bit of a superhero amongst mere mortals, although we had two other superheroes in this flight already! There was a lot of boss to this sauce (98+).

A 1978 Dujac Gevrey Chambertin Aux Combottes quickly stole the show from the 1985 flight. This was a perfect example of a wine punching above its weight class. ‘Wow,’ started my notes. It was close to the Clos de la Roche with a sappy, sexy nose full of musk, along with great concentration, pitch and a leathery finish. There was not a lot of spitting once the reds came around, and the notes were getting sloppy. I wrote something about putting something to bed, in bed, I can’t quite tell, maybe I was referring to myself lol (97).

An exhilarating magnum of 1964 Cheval Blanc was next. This was a deep, dark and smoky wine with loads of fruit, make that black cassis and red currant. It was rich and decadent with a touch of coconut and black raspberry flavors. This was exotically good, that old Cheval kink on full display, especially after all those Burgundies. (97M).

There was an after party chez Wild Bill’s, and there were five wines that I remember, everything was 97 points for the rest of the night, you gotta problem with that? They were pretty damn fine wines, and I was in a pretty damn fine place!

This, too, shall pass. Be safe and pull a few more corks than usual this month, I promise it won’t hurt!

For those of you that have never been to Brazil, I highly recommend that you do so as soon as possible. I have lost track of how many times I have gone, but every time I go, the first thing that I want to do is come back again. The energy and camaraderie amongst its people are second to none, especially when it comes to its fine wine. In fact, Brazil is such a great country that they came up with a word for one meal that encompasses both lunch and dinner: Almoçojantar. How great is that?!? You know, one of those late lunches that turns into dinner, it’s like a 2 for 1 deal lol. It’s even better when the wine theme at the Almocojantar is Chateau Petrus, well, for starters..

The opener of a magnum of 1989 Krug Clos de Mesnil was quickly deemed ‘sour’ by Jetski. It wasn’t perfect, though not off. A bottle I had a few weeks later was much better. It was definitely on the taut side and very citrusy. It did improve with air, but it remained taut, flexing great zip and flesh (93M).

We began our parade of Petrus with the 1985 Petrus, which was full of green olive goodness and black fruit. There was some foresty fun, minerals and a touch of black cherry on its open, creamy palate. The fruits were mainly black and purple, but very dusty. The Ambassador thought this vintage was ‘much better in Methuselah,’ and he proceeded to cut off all financial aid to those who only brought bottles (93).

The 1995 Petrus Magnum was much bigger and full of youthful fruit. It was so much more adolescent out of magnum. I was all about its deep purple and iron as the wine continued to reveal its rich, exceptional sexiness that only grew with air. A touch of banana skin added complexity. This was still elegant but sturdy and fresh in its youth. It was much wealthier than the 1985. Its meat was dripping off the bone; this was an exceptional Petrus, and an undervalued one (96+M).

The 1959 Petrus was packed with that signature, black olive nose. It had great wheat grains and truly seductive aromas of plum and chocolate with a bit of tomato and mesquite. The palate was on the red side with cherry, citrus tang and dust. It got better with more delicious chocolaty flavors. This was another exceptional Petrus (96).

The 1964 Petrus was a bit square with chunky chocolate aromas but a touch of metal. It was not as giving as the ‘59, though with more air it became more open and fleshier. The flavor profile leaned towards the wheat side, and it just seemed flabbier after the ‘59 (93).

The 1966 Petrus was very deep with more wheat and chocolaty chunks. The wheat dominated though, but the palate was round and tender, yet light in the middle. The Maestro found some ‘menthol’ in this pleasant, pretty glass that went down smoothly. It is a vintage gracefully on the decline (94).

The 1970 Petrus had a milky nose full of stems and steam. It was a bit tangy and sour and even a touch woodsy…eh…I was not particularly impressed as it finished dryly, and the tannins felt too woody. This was just an OK bottle, one that is usually much better (91A?).

We rebounded with the 1971 Petrus which was much, much better. It had round fruit, showing great red hues and a honeyed glaze. This was tender on its palate, caressing me smoothly with its delicious, creamy length. It was a classic Petrus in every which way (95).

The 1975 Petrus Magnum was rich and decadent and one of the best of the bunch. It was ‘the right size to drink for a wine of this age’, noted the Ambassador. It was delightfully creamy and in a perfect spot on this occasion (97M).

The 1952 Petrus was slightly oxidized, but the palate was better. It was rich and fleshy with great texture full of sweet, oily characteristics (95A).

The 1961 Petrus had a rich, sexy and sweet nose full of plums and chocolate. It was so complex with all the shades of all the flowers of the Royal garden in full bloom. The ’61 was incredibly expressive in the nose. Some mint crept in on the palate that was still a touch shy. It was still rich, creamy and sexy as hell. It was clearly the most complex wine so far. There were great layers to the mouth; this was was soooo good. Sweet, sexy and chocolaty, the ’61 Petrus was a veritable rap star (98).

I have never been a huge fan of the 1982 Petrus, or 1982 Pomerols in general, and this magnum didn’t change my mind, even though it was a perfect magnum. It had a milky nose with fresh farm and garden green aromas. It was so soft and barely hit 93 points for me, though the Maestro preferred it much more. I got criticized for my low and stingy score for a change! This was a bit yeasty and just OK (93M).

The 1989 Petrus came out, and now we were talking! I was all about the coconut kisses amidst its deep purple and black fruits. It was thick as a brick and rich with great length and zip. This was the ‘BEST,’ I wrote. Some things never change (99).

The 1990 Petrus showed me lots of open chocolate notes. It was ripe with lots of wheat, coconut and other exotic bits. I loved its length, but it was no match for the 1989 (95).

That was the Almoco, and now it was time for Jantar. After all that Bordeaux, there was only one place to go.

The 2008 Coche-Dury Corton Charlemagne was still so tight and coiled with that white, crystallized fruit. It had surprisingly pronounced acidity and tremendous length given the ripe nature of the vintage. Someone called it ‘tight and cold’ but I was into its tasty, tangy and wound personality. It was a bit shut down, however, by recent comparisons (95).

The 2009 DRC Montrachet was served too cold, which initially covered the smidge of corkiness. It was very fine and smooth. This would have been 95+ but ultimately was too corked (DQ).

The 2003 DRC Montrachet was smooth, soft and round but a touch too sweet and simple by this wine’s usual standards. It was fun and easy with its sweet personality. It added a touch of light flint on its finish (92).

The 2000 DRC Montrachet had that sexy rainwater nose. It was full of clay and wet waterfalls along with creamy, sexy acidity. There was great caramel on the palate, and I was finally wowed after three whites where I wanted more (96).

The 1996 DRC Montrachet gave me more and then some. It was all about its richness and smoky intensity. The acidity was even more intense; its length and zip made it a real powerhouse. The Ambassador thought the ‘acidity endless,’ and he was right. This wine wasn’t even on its plateau yet (99).

The reds began with a delicious 1985 DRC Grands Echezeaux. It bowled me over, literally. The GE is indubitably the dark knight of the DRC portfolio, and it always delivers the best price to quality experience of them all IMO. It was one of the most concentrated ’85 DRCs I could remember. It was heavy, with lots of depth and oily richness. The Wingman found ‘flowers, roses, white pepper and licorice.’ Well said (97).

The 1985 DRC Richebourg was quickly DQ’d. We moved on to a bottle of 1980 DRC Romanee St. Vivant which had a ripe, rock ‘n roll quality to it. It was a touch heavy, with a kiss of gravy. It was a little too hot but still good (93).

A bottle of 1978 G. Roumier Bonnes Mares was next, showing some lovely, smooth citrus. It was not the 98/99-point wine it usually is. It’s all about the bottle, and this one was still outstanding, but it can be better. It had a nice musk and was dominated by leather, citrus and bouillon (96).

There were two wines to go, and what wines they were. We continued with a perfect bottle of 1985 Dujac Clos St. Denis. It was so sexy and aromatic, showing all the colors of the wine rainbow, including apricot. I guess that’s technically orange lol. I wrote ‘Dujac=delicious’ and this beautiful bottle epitomized that statement, giving me autumn kisses and a purple forest floor on which I could stand. Autumn continued its statement on the finish in a youthful way; it was the September autumn, not the November one (97).

The 1985 A. Rousseau Chambertin was full bodied and then some. This was a ‘deep ocean’ wine as Big Boy would have said if he ever made it to Brazil. It was black like a deep cave after dark, and full of wet, dark stone mysteriousness. This wine was rich and great, in every which way, not rich and an asshole lol (98).

And that’s what we call Almocojantar. Try it out some time, and try out Brazil!

I still have a couple articles in the mix from last year, one featuring an amazing Petrus vertical in Sao Paulo, and, of course, my wines of the year 2019 article which is quickly becoming outdated lol. They’re coming! I have been on the road for 28 days this January for a variety of reasons, featuring Hong Kong, Europe, earthquake avoidances and my usual, mandatory New York City visit to celebrate the birthday of The Hedonist. Hollywood Jef and Jetski basically hijacked The Hedonist’s week, which was quite alright since he was invited to everything. The first night I joined was hosted by Tom Terrific in his beautiful home, and the beautiful theme of 1978 was selected.

Champagne service began with a bottle of 1978 Roederer Cristal, which was quickly deemed a ‘perfect ’78’ by Big Boy. It was full of orange rind and rust aromas with a nice sweetness to it. Lord Byron Jr. found ‘a lot of bubbles’ in this round and tender Cris. It was quite creamy with a touch of soda to it. Dapper Dave noticed its ‘rounder’ qualities (93).

The 1978 Roederer Cristal Rose was less bubbly than the original, with more mature notes of strawberry shortcake and powdered sugar. It was round, creamy and a touch dirty. Wild Bill found it ‘tasty’ with its lovely, honeyed finish (91).

A pair of whites came quickly, beginning with a bottle of 1978 Bonneau du Martray Corton Charlemagne. It was smoky and toasty, with lots of smoked corn in a maize, Native American sort of way. The palate was smooth and nutty with its toastiness persisting. It was just starting to turn the corner, but it remained very pretty as it began to sunset. For its age, I thought it was really good despite getting a bit mossy (93).

The 1978 Niellon Chevalier Montrachet showed great floral qualities immediately with lots of acacia and honeysuckle. It was very tropical, exotically so, and its palate was rich, creamy and luscious. Secondary flavors of vanilla and caramel emerged in this perfectly aged bottle of white Burgundy. Lord Byron Jr. hailed it as ‘oily’ and ‘unctuous.’ Each sip made me appreciate this profound wine even more. It got some pretty high scores from some distinguished tasters; Jetski was in 99 point territory and the Curious Gourmet gave it 98. Jetski quickly backpedaled, but both of them – and the wine – pulled me up a point in the end (98).

The reds began with a 1978 Drouhin Chambolle Musigny Les Amoureuses. Dapper Dave admired its ‘musky’ elements while I was digging into its very complicated nose. There were great tangy, bing cherry aromas, and lots of black and purple olive qualities emerged. It had lots of energy with great spine and a leather smack to its palate, continuing its round and tangy themes in the mouth. It got more smoky and stayed complicated (95).

The Premier Crus continued with a divine 1978 Rousseau Gevrey Chambertin Clos St. Jacques. It was a super sexy bottle that was musky, oily and tangy with a wealth of red cherry sex appeal. The finish was so long and sensual with great earth flavors and a nutty finish. It made me smack my lips, and its acid lingered in my belly like a warm fireplace on a cold night. Its gritty, long finish had me excited (98).

The 1978 Ponsot Latricieres Chambertin was minty and mild by comparison to the other red Burgundies. Dapper Dave found it ‘lean for a ’78,’ and I thought it was ‘just OK’ with black fruits and earth flavors. It was chalky, stony and dry (92).

The 1978 Dujac Charmes Chambertin was musky and sexy with all of that ’78 Dujac goodness. There were delicious olive and dark chocolate flavors. Jetski found it ‘edgy,’ and it got riper in the glass. It also had a chalky finish and proved to be about as much as one could do with this terroir (94).

The 1978 Roumier Bonnes Mares once again delivered an immaculate experience. It had a smoky nose full of deep, dark purple fruits. This oily red was a 99 point wine from the get-go with its smorgasbord of delicious fruits. It still felt so young but was so open, with great length and grit. This wine had impeccable concentration and zip, and it lingered on my palate effortlessly and endlessly (99).

The 1978 DRC La Tache was another ‘wow’ wine. It was packed with menthol, rose, white smoke and light game, as in just right light. There were leather and slate flavors on its muscular and unfurling finish. This bottle of LT had it all. Lord Byron Jr. was hesitant to give it the elusive 99 points, but while the ink in his pen dried up, most of us had no doubt (99).

We migrated south to the Rhone with a perfect bottle of 1978 Chave Hermitage. It had all the great violet fruit and white pepper that great Syrah should have. Small purple flowers breezed through its nose. Someone declared it ‘animal’ with a French accent for some dramatic flair, and Dapper Dave found it ‘very primary’ with some ‘savory bacon.’ Minty secondary edges developed, and the wine was so fresh, it was almost too young. Lord Byron Jr. thought it was ‘open for business,’ going so far as to say it was the ‘best bottle (of this) he’d ever had’ (97).

The 1978 Jaboulet Hermitage La Chapelle was deeper and sweeter than the Chave. It had more intensity, and more noticeable alcohol and acidity. There was big fruit and flesh to this rich and decadent red, which was more noticeably darker and at first more impressive. In the end, style often trumps substance (96).

We traversed the Alps over to Piedmont with a ripe and rich bottle of 1978 Giacosa Barbaresco Santo Stefano Riserva. It had a some jammy goodness to its nose with celery soda aromas. It was a sweet and sappy wine that became gamy and brown sugary (95).

The 1978 Giacosa Barolo Collina Rionda Riserva was ‘so fresh underneath,’ underneath its corkiness, unfortunately. The lift to this wine was incredible, and the texture was unreal. It would’ve been in the 97-99 point category but alas just a (DQ). It was pretty badly corked.

The 1978 Conterno Barolo Monfortino Riserva was full of ‘cinnamon’ per one guest. It was long and dry but lifted like the take-off of an under-control rocket. This was clearly a great wine with great acidity and a zippy personality. The usual tar and leather were joined by black roses and Grandma’s secret spices. Mamma mia (99)!

The 1978 Guigal Cote-Rotie La Mouline was deep and meaty with menthol, violet and bacon – that superior signature of La Mouline. It was chocolatey on the palate, but the cheese kind of stripped it a bit; don’t serve cheese with your red wine! It regained its footing after the cheese went away and kept getting better and better. This was another superlative bottle on what was clearly a superlative night (98).

One final wine arrived, a mystery wine that Big Boy deemed ‘somewhere between strong and extremely strong,’ which was quite accurate. It had great bacon and mint aromas, with the perfect ‘zippy zip’ I wanted at the end of the night. It wound up being one of the best bottles of 1990 Chave Hermitage that I have ever had, firing away on all cylinders in all its rich and decadent glory (98).

There were three 99-point wines and four 98-point wines on this amazing evening; that doesn’t happen that often. If there was any doubt about 1978 being a spectacularly and universally great vintage before this night, none remained. A big thanks to our host, Tom Terrific, and a big Happy Birthday to The Hedonist! It was a great way to kick off drinking season in New York City in 2020, a fitting beginning to a Bicentennial celebration!