Vintage Tastings

By John Kapon

Experience the finest and rarest wines in the world through the eyes and palate of Acker Chairman and globally renowned master taster, John Kapon (our “JK”). “Vintage Tastings” is a written journal chronicling the incredible bottles opened at some of the most exclusive tastings, wine dinners, and events all over the globe. These entries represent JK’s commitment to capturing and sharing the ephemeral nature and ultimate privilege of tasting the world’s rarest wines. Although ratings are based on a 100-point scale, JK believes there is no such thing as a 100-point wine. Point scores assigned to each wine are his own personal attempt to quantify the quality of each experience.

Bordeaux, Baby

Ok, I officially recognize that I am still stuck in March and now three months behind all my notes, and that I never even wrote up the hundreds of Burgundies tasted during our Grande Fete de Bourgogne week back in February. Now that I have addressed my guilty conscience for all these notes I have yet to share, I am addressing another thing that has me feeling guilty – too many of my notes are Burgundy, and I am not sharing enough notes for all the other wine regions. Truth be told, I do drink a lot of everything. Italy is a particular pet peeve, as are the dry GG German Rieslings, Austrian Gruners, and the great value that represents the Rhone, to name a few. But the first place I have to go after Burgundy will always be, of course, Bordeaux.

Now before I dive into a most memorable evening of Bordeaux I had last month, I have some unfinished business that first week of March, and a magnificent dinner hosted by Tom Terrific at Quince in San Francisco. It was a Magnum Burgundy dinner, carefully curated by Dapper Dave, with some very special magnums assembled with some of New York and San Francisco’s greatest wine intelligentsia. I guess I do drink a lot of Burgundy, it even has to make its way in my Bordeaux article lol. So here is the lineup and scores, before a brief summary paragraph or two.

So my first observation of the night was that there is a reason that the prices of Rousseau and Dujac are exploding in the market. The proof was in the bottles of the three most spectacular wines of the night. The 1993 Rousseau is one of the greatest Burgs ever made, as a recent lunch in LA also confirmed. The red fruits, the Asian spices, it wasn’t too rich or too sweet and perfect in each of those regards. It was like an elegant jackhammer.

WOTN

The 1985 Rousseau was close behind it, a bit more yeast with lots of busty red fruit and a granular, granite-like finish. The Dujac was amazing, especially how tight it was, as ’85 is a forward, pleasing year, but this was still not ready despite its beautiful freshness, leather and m۩lange of red and purple fruits. It brought sexy to the party. The only other wine belonging at the top of the pyramid was the 1990 Ramonet. It was lipsmacking and zippy, with milk, corn, spice and mint, and while its fruit was showing some outstanding secondary qualities, its finish was still ascending and primary. It outclassed all the other whites by a few lengths.

Killer 85s

Other than that, while the DRCs were outstanding, they were all a touch dirty and disappointing to some. I had the good fortune of trying three separate bottles of 1991 LT recently at the same occasion, and one of them had that same dirtiness, but not all. Bottle variation is a real thing! The Meo was great but tight, one even calling it ‘repressive.’ It was heavy and deep with lots of animal and natural gases and minerals. I look forward to seeing this evolve over the rest of my life, because that is what it might take! I should also note that a recent bottle of 1993 Lignier Clos de la Roche in NYC was 97 points and spectacular, but this magnum was unfortunately off.

1991 DRCs

Ok, that’s enough about that Burgundy stuff. Let’s talk Bordeaux. On a spring night in New York City, at a restaurant called Daniel, The Big O gathered a few wine hunters together for an epic evening of claret. Well, it wasn’t just any claret, we were talking First Growths, and he first asked us to think about the ’¢óìhouse style.’¢ó He paraphrased Frederic Engerer of Chateau Latour and his views of the Fab Five Firsts. Lafite has the finest tannins, while Latour is more muscular and statuesque in the best vintages, and with enough time the fruit smiles at you. Margaux is the most feminine and floral, while Haut Brion is the most terroir based. Mouton is the most exotic and flamboyant, and those were one very knowledgeable man’s opinions about house styles. Now here’s my opinion about twenty First Growths, fifteen of which were 1961 and older. Let’s go.

Always a Good Sign

We had an ‘acclimation’ wine, a 1978 La Mission Haut Brion. While it lacked the intensity of another recent bottle, it was still a very good wine. Soft, tender and smooth, it was very fresh and ‘delicious.’ Miss Moutai found it quite ‘smoky,’ and an amazing and distinctive Smores like quality developed in the nose with time. However, this particular bottle lacked oomph; another recent bottle was closer to 95 points (92).

The first official wine from our program was a 1989 Haut Brion, not a bad way to start. Although it was served a touch cold, it was as regal as always, so fine, long and elegant. It had a deep ocean of fruit in the mouth, and I saw both the ’59 and ’61 in it, as in the best of both worlds. This was rico suave, and Miss Moutai found (or it) ‘bananas’ (98).

98 X 3

The 1961 Haut Brion had an ‘oh yeah’ nose that was talking out loud with its nutty and creamy style. It had the caramel and the smokehouse with a touch of band-aid along with palm tree and cocoa butter. The cocoa butter really took over, excitingly so. This was a rich, sumptuous, decadent and creamy palate with nice grit, and it was right there with the 1989 qualitatively. Miss Moutai admired its ‘salinity,’ and there was no doubting the quality of the bottle of the glorious 1961 (98).

The 1959 Haut Brion was richer in the nose and more chocolaty. There was a touch of game, but its palate delivered a richer, denser experience than the 1961 with better concentration. There was more plum and chocolate again, and cereal flavors emerged. It had a ‘well formed backbone of acidity’ per one guest, and was ‘coherent and consistent’ per another (98).

Alas, the good luck couldn’t last, and a 1945 Haut Brion was (DQ).

It was Margaux’s turn, starting with a 1982 Margaux, Chateau Margaux lol. There were great grains to its nose, every cereal flavor imaginable. Its mouth was rich and round with a nice kiss of peppermint. There was nice length to this smooth and delicious red, although it was a bit mild. ‘Wet Shitake’ came from Miss Moutai (95).

The 1959 Margaux had lots of black fruits, and more of that reference iron fist. There was more animal here, almost sweat. It was rich and round like the ’82, with nice charcoal flavors on its finish. This was an outstanding wine, a fastball of a Margaux with equal status to the 1982 (95).

The 1945 Margaux was full of old library and old book, much lighter with a more elegant style. This was a pretty wine but a bit of a funky monkey with some windshield wiper in there as well. It was a bit weird at times (91).

Victory Vintage

There was a great nose full of caramel city. It was rich and sexy with loads of toffee candy. While delicious, it quickly lost a step in the glass. Special K noted, ‘blood,’ and someone else admired its smoky and meaty qualities. The wine was a 1928 Margaux (95).

A discussion about the Margaux flight ensued, and the concept of femininity came up, and how that should not be considered equivalent to being weak. Margaux was not feminine like a flower, but rather feminine like a bomb, reasoned one of the women in attendance. I have seen many feminine bombs firsthand, and I agree. I can safely say they are the most deadly lol. Both the HB flight and the Margaux flight had great consistency, and someone observed ‘mint mint mint’ in the Margaux.

Now it was Lafite’s turn, beginning with a 1986 Lafite Rothschild, which was quite elegant. This was more feminine than any Margaux, smooth and soft like satin sheets at first. Its palate had lots of wheaty flavors, and nice concentration emerged with time. This was an outstanding feminine specimen lol (95).

The 1966 Lafite Rothschild was a bit of an outlier given the quality elsewhere, but we marched on. There were curds and whey here with sweet and sour fruit. Special K found it mousy, and it was definitely thinner than anything else so far (90).

It was back to business with a rich and decadent 1959 Lafite Rothschild. My long love affair with this vintage of this wine has been well documented, and my affinity was there all over again with just one whiff. There was this black cherry soda goodness, and the palate was so special, just a step or two behind other memories but still oh so sexy. Cassis, pencil and sweet tannins filled my mouth with glee (97).

Greatest Lafites Ever?

The 1953 Lafite Rothschild has long been a legend of this vintage, along with Margaux. This bottle didn’t disappoint. It was a pinch weedy at first, but it still had this rich toffee decadence. This was a ‘honey bunny’ per one of the guests, and its honeyed sweetness tickled all my senses, too. ‘Pure genius’ was noted by The Big O, as well as the fact that this flight wetted his appetite to the point of salivation, well, at least the last two wines. On this night, and with these two bottles, the ’53 surpassed the ’59 (98).

The next stop on our First Growth train was the 1961 Latour. While the ’61 has always been considered the reference point vintage for this esteemed Chateau, truth be told, more often than not I have preferred the ’59 when head to head. We will get to that soon enough, but first the ’61. It had a deep, dark nose that was wealthy, aka more than rich. Its profile was as black as midnight, and its nose full of heavy cream. There was great tree bark spice here as well, and it was tannic like 1996 to one. While not as thrilling as I wanted it to be at first, it gained in the glass with time and each sip. This was a wine that definitely unfurled (97).

Fantastic Four

The 1959 Latour was richer and frankly better than the 1961. It was another example in my case study. ‘Again ’59 reigns supreme,’ I wrote. Not much more needed to be said, other than black, rich, leathery and zippy. This was a great wine (98).

The 1949 Latour was clearly older than the previous two wines, but there was still outstanding complexity here. There were great old book flavors in this super sexy wine. It was long with a crackling finish, but air took a lot of wind out of the ’49’s sails rather quickly. It got a bit herbal and vegetal thereafter, but it still maintained its outstanding status (95).

The 1929 Latour, the second oldest wine we would have on this evening, had a bit of hot sauce to it. This was buffalo wing city in its nose. It was another rich and sexy wine, adding sumptuous to the mix. There was still grip initially, but a bouillon characteristic soon took over. While the ’61 ascended a couple of points, the ’29 descended accordingly. Cherry cola, barn, hay and mesquite all joined the party. The first sip was 98 point territory (96).

There were four more Firsts to go, the first being a superlative bottle of 1982 Mouton Rothschild. This was so young compared to almost everything else so far, deep and dark like a forest at night. I started to lose sight of my notes, but I saw tobacco and a good quote from The Big O, who could ‘see the future of the wine.’ I didn’t lose sight of my score of this impressive ’82 (98).

There was another very good but lesser ’66, this being the 1966 Mouton Rothschild. It was full of animal, barn and hay, a bit weird. It was Mouton light with ‘peanut butter.’ Another found it to be a good ‘chugger’ (90).

The 1947 Mouton Rothschild was a touch mature and a touch dirty. There was band-aid here as well. This is usually a dead ringer for 1974 Heitz Martha’s, but not on this occasion. I don’t think the bottle was perfect (93A).

Doesn’t Get Much Better

There was one perfect bottle, or as close as it gets, since I don’t believe in perfection. The 1945 Mouton Rothschild once again proved to be one of the greatest wines of all time. The mint, the eucalyptus, the soy, the tea leaves…there was a log going on. Someone found ‘hoisin,’ and without question this was the heaviest and most concentrated wine of the night. This was, indeed, flamboyant, so exotic, practically ‘medieval’ per one. If you wanted to argue that this was the best wine ever made, it would be tough to argue otherwise, although I might have 3-4 recommendations, and they all start with DRC or Petrus (99).

It was great to get back to the Bordeaux basics thanks to The Big O, and it reminded me while Burgundy may be more exciting and enticing for those first thirty years, and while it may be a coin flip for the next twenty, it is tough to argue with the reliability and the ageability of great Bordeaux to go 50-100 years. There isn’t much better, and therein lies its greatness. Cheers to Bordeaux!

So Happy Together

In Vino Veritas,
JK

Merci Martine! San Francisco, Part II

One of my favorite dinner companions of all time is the legendary wine importer, Martine Saunier. Martine has been one of the great wine ambassadors of French wines for decades, and any evening with her is full of wonderful stories, great conversation and lots of laughs. Whenever I am in San Francisco, she is on my short list, hot list or short-hot list.

When last we dined in New York, we had such a great time thanks to great dinner companions like The Ambassador, Jetski and The Mogul, that Martine declared at the end of the dinner that the next time we got together, she would bring a 1978 from her cellar! It just so happened that Jetski and The Ambassador were on my executive committee for this San Francisco jaunt, so I made the call to Martine, and a Jayer night was born.

Martine in Action

We had a few whites to start, a pair of Raveneaus and a pair of Leflaives. The 1999 Raveneau Chablis Valmur was elegant and steely, and its palate was smooth and tasty. It offered up lots of signature Raveneau goodness in a light, pleasant way. It seemed to be on its plateau already; not a wine that will improve. It was pretty (93).

The 1990 Raveneau Chablis Valmur was a ‘great bottle’ per The Ambassador. It was much more mature in its nose, showing more yeast, more yellow fruits, more spice, more perfume – just more of everything than the ’99. It was long and delicious, in a great spot with its chewy fruit and smoky spice (95).

The 1989 Domaine Leflaive Chevalier Montrachet was also a great bottle, but it was served a bit too cold! Its icy flavors warmed up into a rich and elegant white. There was a touch of oil to its personality, along with corn and butter flavors that were more like cooking oil. This was a regal and mature white (96).

Aperitifs

The 1988 Domaine Leflaive Batard Montrachet was gamy and more figgy; a bit mature but in a passing its prime kind of way. In hindsight, the Batard should have been served first. It had nice lushness but could not shake its gaminess. Candle wax flavors also developed (92).

It was finally time for some Jayer! Due to their significant price tags, Jayers do not get opened that often, so to have a dedicated evening was quite special. We did, however, have a few hiccups on this evening. First, we lost one of our co-hosts due to logistical issues. Second, the 1990 Jayer Echezeaux that was part of the first flight turned out accidentally to be 1990 Lucien Jayer Echezeaux. If this was a pickup game, a foul would have definitely been called on the play, but apparently it was some merchant’s fault. That’s what happens when you don’t get your wine from Acker :). We were all forgiving, of course, although a bit less so after we tasted it. It had a very leafy nose, quite autumnal with its aromas. There was a bit of purple fruit underneath, but in a very secondary way. The palate was lighter and shorter than I would expect for a 1990 Grand Cru. Bouillon flavors predominated (89).

Seal of Approval

The 1989 Henri (for Georges) Jayer Echezeaux was ‘spectacular,’ and we were officially off and running. According to Martine, the Georges bottles and the Henri bottles are exactly the same wine. They were bottled differently for some possible combination of family, financial and regulation reasons but made together. Ironically, the Georges bottles usually sell at a discount compared to the Henri labels. Smart money on the Georges! One sip of this 1989 had me thinking 100% Henri. This was unmistakable Jayer with its deep musk, purple oil and sexy spices. I kept writing ‘sexy’ over and over. Its purple fruits were rich but also layered, so plush with their mouthfeel. Someone admired its ‘density and silkiness.’ This was a decadent and smooth operator, and vitamins emerged in the glass. This was an anywhere, anytime wine (97).

Hungry for Some Wolf

The 1988 Jayer Echezeaux that followed was a touch musty at first, but I instantly saw the similarity to the ’89 in overall style. That rich purple decadence and the vitamins were unmistakable. It was long, a bit more elegant than the ’89 but still creamy with nice grit and leather to its finish. With time in the glass, the strength of the ’88 vintage took charge and the finish really flexed, but I preferred the decadence of the 1989…for now (96+).

Henri & Georges

On to the Cros Parantoux! We started with a 1986 Henri Jayer Vosne Romanee Cros Parantoux. It had gorgeous fruit with lots of plum and purple hues. There was nice spice and more milkiness here. Its creamy qualities were lighter, and while lush, it had a softer finish. This was definitely on or exiting its plateau, and I remember better days for this vintage. Jayer was always a master of the “off” vintages, but this vintage seemed to be trending down finally after thirty plus years (94).

The 1987 Henri Jayer Vosne Romanee Cros Parantoux was a bit blacker and sturdier than the 1986. It put on weight and got sweeter in the glass, and while initially I liked the ’86 better, I flip-flopped in the end after a few tastes. There was great grit here, and the wine held and lifted. It was an impressive show, especially for 1987 (95).

Cros Parantouxxx

Next up was a glorious 1991 Henri Jayer Vosne Romanee Cros Parantoux. It was so good, it was like being wine horny. It was deep, dark and even better than I remember it from last year, and that bottle was pretty damn great, too! This was rich, decadent, creamy and oily, so large and in charge, so young but just starting to show some mature nuances. ‘Mint’ and ‘camphor’ came from the crowd. This was as good as it gets (99).

Grand Finale

Last but not least was Martine’s 1978 Henri Jayer Vosne Romanee Cros Parantoux, the bottle that brought us all together in the first place. Well, there was supposed to be another bottle in this flight of 1985 Meo Camuzet Richebourg, which Henri made, but let’s just say The Inspector wasn’t on the case lol. Martine cooed how the ’78 was ‘like a dream.’ It was super sensual with the signature purple fruit, but in a more velvety way. It was bright and balanced, and so delicate in a good way. Martine went on to say 1978 was ‘the best vintage he ever made.’ While still complex, I felt the ’78 had turned the corner, and it was a step behind my experiences of a decade or so ago. However, I wouldn’t kick it out of my glass, ever, lol. It was a very special way to end a very special evening thanks to a very special lady (98). Merci Martine!!!

Happy Ending

In Vino Veritas,
JK

I Drank My Way Through, San Francisco, Part I

After my week in Europe, I went straight to San Francisco. La Paulee was in town, and a bunch of Burgundy lovers were bouncing off the best restaurants’ walls all week long. There were three distinctively noteworthy dinners I was fortunate enough to attend, beginning with an evening at Saison, which The Jackal had bought out for his clandestine operations. Our most generous host organized a spectacular dinner made all the more spectacular by the generosity he commanded from all of his guests.

The first flight was one of Coche-Dury. Always a good way to start the night! It was supposed to be all Meursault Perrieres, but I will get to that in a minute. The first wine was a 2010 Coche-Dury Meursault Perrieres, which was icy city and full of minerals and spice. While a bit immature, there was still some tangy yellow fruits to this tense and frigid (served too cold) wine. However, it was a bit awkward and ‘tight’ per Dr. Love, in need of more time, and there is no doubt in my mind that it will eventually climb the point scale (94+).

Cochy-Cochy Koo

The 2004 Coche-Dury Meursault Perrieres was in a much better spot, much fleshier and open for business. There was delightful spice and a touch of glue to this wintry mix, along with sweet, bright, yellow Coche fruit. A touch of kernel and benevolent dust rounded out this rich and vimful white. This was luscious and great, right in its sweet spot (96).

The third wine was brought by me, and supposed to be a 2001. Well it was a 2001, just a 2001 Coche-Dury Corton Charlemagne instead. Surprise, surprise. I love those $5000 picking errors. To make matters worse, one of the bottles was corked; of course, it was the bottle I got. Kill me now. I did have a sip of the other bottle, which was fantastic, but not enough to fully depict (DQ).

The next flight was one of Ramonet, Montrachet, of course. The 2007 Ramonet Montrachet had a sweet and very sugary nose with hints of pepper, mint and oil. It was a little weird with its fruit, and I couldn’t quite pin it down. It tensed up a bit in the glass, and minerals emerged on its stony palate. It was long, zippy and dry. Jetski wasn’t a big fan (95).

Mucho Montrachet

The 2005 Ramonet Montrachet was unfortunately oxidized (DQ). The 2002 Ramonet Montrachet was not. It had a smokehouse nose with corny, sweeter fruit. It was quite oily in its aromas, showing white ice and more smoke. There was a big anise streak and lots of structure to this intense wine. It was almost as if a twist of vodka was in there! It was almost too young, more intense than the 2007 for sure (96+).

A magnum of 1999 Ramonet Bienvenues Batard Montrachet was a last second substitute, I think, and it didn’t stack up to the Montrachets being served last in the flight. It just wasn’t in the same league, more waterfall and alley, and lighter for a 1999 in general. Jetski found it ‘thin, and its finish is clipped.’ Tell us how you really feel, Jetski : ) It got better when I ran out of Montrachet lol (93M).

A flight of DRC Richebourg was next, and it set a great bar for the reds. First up was the 2007 DRC Richebourg, a vintage that in general is great to drink young for the Red Burgs. It was sweet and classic ’07, ‘fresh and crisp, begging you to drink it,’ Dr. Love aptly apprised. It was delicious and long with nice, light structure on its finish with a bit of zip and more length than I expected. It was definitely flirting with outstanding, but after going through the rest of the flight, it lost a step. ‘The ladybugs came in,’ Who Shot JR noted. He was right, and I was up and down my own point scale, settling on a benevolent (94).

Fab Five Richebourgs

The 2001 DRC Richebourg that followed showed spectacularly well, making up for the last time I had this wine. Bottle variation, it happens. There was great perfume and lots of red fruit to this rich and oily red. It was very concentrated with lots of rose and oil components. Rich, long and tasty, I noted it was even better than the ’01 La Tache I just had in Miami. I don’t say Riche is better than LT often; again, it could just be a bottle thing. Rich and saucy, everyone was a fan of the 2001. The topic of aging wine too long came up as a compliment to drinking this ’01 now; let’s just leave it at that (96).

The 1991 DRC Richebourg that followed had more celery soda action, along with cherry oil and ‘olive’ per Dr. Love. It was brothy and full of bouillon. Jetski thought it was a touch advanced, but The Jackal thought it was the wine of the night. There was a touch of kink to its flavors on the red side, and it became a bit jammy on the palate. I wanted more from it, given how great the 1991 vintage can be (95).

We continued onwards with a magnum of 1979 DRC Richebourg. Its nose was a bit balmy with a stewy and tea-like personality. Someone noted its ‘third stage of evolution.’ There was definitely soil and wet forest to go with its blacker fruits. However, its palate was delicious, showing great sweetness and balance. There was flesh and medium grit to this lip smacking wine. While the nose was all about the mushroom and tree bark, the palate was all about the delicious. A tale of two wines, indeed (96M).

The 1966 DRC Richebourg was a tale of two bottles. Well, that may not be entirely fair. I got the dregs of one bottle, so I couldn’t even deal thanks to the mismanaged pour. The second bottle was super tasty, with loads of red oil and a touch of mint. I only had a small sip or two, however (96).

Next up was a flight for lovers, especially those of Roumier and Mugnier. The 2009 Roumier Chambolle Musigny Les Amoureuses was ‘so primal’ per Dr. Love. It was a monster, one that wasn’t ready. It was black as hell, so much so it was tough to enjoy. Jetski observed, ‘it doesn’t mean anything,’ as it was tough to evaluate the wine at this age. Roumiers need more time than most. It was so concentrated and so young, clearly in need of more time (95+).

The 2005 Roumier Chambolle Musigny Les Amoureuses was a bit better, just starting to show. There was nice red fruit here, along with what I put as ‘some of that ’99 dirt.’ I was referencing the ’99 Roumier Musigny I had the night prior in London, of course. The 2005 was just starting to shed its skin, flex its muscles, insert your own analogy here. You better because I can’t read the rest of my notes lol (96+).

In Love

Even though it was about 5am on my internal clock on that day, I had one good note left in me for a 2002 Mugnier Chambolle Musigny Les Amoureuses. The Mugnier was sweet and delicious, clearly a lighter style than the Roumier. This wasn’t a negative as the Mugnier went down so easy. Another concurred it was showing much better. Its elegance and style seduced, combining with gorgeous purple flowers and an oh so tasty finish (96).

My internal alarm clock failed to go off, so the last three (yes three!) flights saw me abridging my notes significantly. The first was a flight of rare Fourrier Griottes Chambertin, and we were joined by Jean-Marie Fourrier for dinner, by the way.

Groovy Griottes

The 2012 was purple and primary, ‘pretty and beautiful’ per the Somm. It was tasty, and I liked it, but a bit young. The 2011 really impressed, quite drinkable already, and showing that early ’11 approachability. It had some nice zip, however. The 2010 was the best of the flight and a superb wine. It had so much acidity and length. It got a, ‘Great!!!’ It was also my highest rated wine of the night. The 2009, on the other hand, was a bit disappointing. It had the least fire in its soul, and it was heavy and a bit cloying. Its flavors were also a touch dirty.

The signature, deep, dark spice of Leroy was evident immediately. Brian hailed it as ‘the best flight.’ The 2001 was solid but lost a step in the glass. The 2000 outboxed its weight class; this was so rich for a 2000. It also outclassed the 2001 with its deep, heavy, rich and pleasing fruit. The 1996 was classic. It has always been a great vintage for Leroy as her style plays well into the highly acidic profile of 1996. The 1990 got another ‘solid’ from me, but the Richebourg seized hold off the flight immediately. It was just better than all the rest.

There was also one last flight of Krug. I had thrown in the towel already, but here are some scores.

No Mas

It was kind of late, and if it wasn’t 7AM for me, I might have rallied. But tomorrow was another day, and the legendary Martine Saunier was waiting in the wings with some Jayer from her cellar…

In Vino Veritas,
JK

London Calling

My recent trip to Europe saw me in London twice on consecutive days, but I didn’t stay the first night. I did stay the second. Despite the epicenter of the wine universe shifting from London to New York and Hong Kong in fairly equal shares over the past two decades, there still is a lot of fine wine in London, or in England, if you want to get technical. Somehow, I managed to find the Americans. Well, it wasn’t just all Americans, I think there were four of us. We definitely had at least three Brits, and we even threw in a Swede and a Frenchman. These nations were most certainly united by one noble and common cause: a love for fine wine.

I was a few minutes late to dinner due to a spontaneous meeting, so I had to catch up quickly on the bubblies and whites. A 1988 Ruinart Blanc de Blancs was oaky and full-bodied, rich but one-dimensional with its flavor profile (90).

A 1995 Coche-Dury Meursault was gamy and much more mature, definitely past its peak. I am not sure if it was the bottle or the vintage, but this bottle was definitely turning the corner. It was smooth and easy with lots of waterfall and gamy flavors (91). The 1999 Coche-Dury Meursault was much more fantastic and explosive, flashing that rock star brilliance of Coche, but not from a terroir that would sell out arenas (94).

Meursault magic

There were two more whites, the first being a 2010 Ente Meursault. Their wines are getting quite expensive, and a taste of this village Meursault made me believe the hype. It had nice fruit in a sweet, friendly way and was simply delicious, a straight shot of the classic 2010 vintage (93). The last white of this night, well at least Burgundy, was a 2010 Marc Colin Montrachet. All I can say is that terroir matters. The clarity of the 2010 vintage once again came through, and the terroir was clearly better than the three prior Meursaults (95).

The reds started with our most mature wine of the evening, a 1964 Noellat Romanee St. Vivant. It was clearly older but still fresh with lovely, earthy qualities (91).

The younger reds began with a 1999 Roumier Chambolle Musigny Les Cras. It was deep aromatically, with a fleshy and peanutty character, but light in its mid-palate. It felt heavy handed by the usual Roumier standards, and while possessing nice earth flavors, I was disappointed (90).

The 1999 Mugnier Musigny that followed didn’t disappoint, at least at first. It was much more purple in a floral way, full of vitamins. It was elegant and pretty, dripping with violet dew. It had a lacey and sexy palate with lots of winter spice, ‘more satiny’ per one and ‘layered’ per another (95).

1999 Musignys

There was a Roumier Musigny sighting, always a special occasion. This 1999 Roumier Musigny had a similar thread with the Cras with its peanutty edge, but its body had ‘all-time energy’ from the crowd. It was clearly thicker and deeper than the Mugnier, with much more POWER I wrote in capital letters. There was zip and impetus to this majestic wine, and while still too young, it was oh so strong. Wait if you have some (97+)!

That was the end of our Burgundy programming, but the beginning of our Northern Rhone. The first wine that came out was a 1988 Guigal Cote Rotie La Landonne, and it was a good start. This was a clear left turn from our Burgundy flight, but we weren’t lost. This deep, dark wine had a bit more noticeable wood, with rich bacon and violet aromas underneath. This was much more of a bodybuilder compared to the Musignys, more square yet still outstanding. One guest noted a ‘vegetal stem’ (95).

Usually La Mouline is the best of the three ‘La Las’, and the 1988 Guigal Cote Rotie La Mouline showed why. Its nose was much more violet, with lots of white pepper. There was still the bacon but more in an oil direction, very rich and decadent overall. Somehow, it still maintained an elegant style, with black tapenade on its finish. Sexy stuff (97).

1988 Up North, Rhªne Style

The 1985 Guigal Cote Rotie La Turque was ultimately and surprisingly the wine of the night. It was so concentrated, super rich like old money. It was so inky that it had with it Blinky, Pinky, Bonnie and Clyde. It had everything the previous two wines had and then some. Long, oily and undeniably great, this chocolate sundae of a wine was so delicious I needed a napkin to wipe my lips (98).

On its Own

The 1990 Guigal Cote Rotie La Turque was zippy and full-bodied, long and vimful displaying a backside that would make a peacock proud. Its acidity dominated its first sip, but it smoothed out in the glass. It came back with a fury, snapping and crackling again on its finish (96).

The 1991 Guigal Cote Rotie La Landonne followed suit with its deep, decadent and dense core. There was lots of creamy black fruit in this distinguished red. La Landonne is definitely the square that fits the circle in Cote-Rotie. Guigal plus Cote Rotie equals great (95).

There was one more Rhone on this amazing night, and it was only fitting that it was a 1990 Chave Hermitage. I did spend the day with Jean-Louis, after all. I was feeling Les Bessards right away with the ’90. The acidity and length were superb, but it was more intellectual than hedonistic. Its animal instinct roared, although I think it was better suited served before the Guigals due to size factors, because bigger isn’t always better (97).

1990s

One last wine was served, a delicious 1962 Yquem. It was rich and decadent with candle wax aromas and brown sugar flavors. It was all brulee without the cream (95).

The Happy Recap

In the interest of publishing more notes (I reckon I am about 100+ behind for 2018), I will quickly mention another night in Europe, with my favorite drinking partner there, aka The Keymaster.
1. NV Jacques Selosse Substance (disgorged 2002) (92)
2. Domaine de Chevalier Blanc (93)
3. 1981 Sauzet Batard Montrachet (95)
4. 1959 Montrose (91A)
5. 1955 Montrose (94)
6. 1971 Comte Armand Pommard Clos des Epeneaux (95)
7. 1971 DRC Grands Echezeaux (96)
8. 1971 Latour Haut Brion (94)

Here’s a brief recap paragraph: The Selosse was very apple juicy and tasty but a NV Champagne better served in its youth. The Chevalier Blanc remains one of the best kept secrets in fine white wine that can age. Honey, nut, oak, glue, baked fruit and coconuts. Austere yet super stimulating. The 1981 Sauzet was a revelation. A forgotten vintage for Burgundy, this Chardonnay delivered an outstanding experience. ‘Better than 1983,’ the Keymaster resonated. The 1959 Montrose was affected, but the 1955 was solid. Nice, buttery and with tension are some of my observations. I am not a big fan of young Comte Armands, but perhaps the older ones are just what I needed. Deep, dark and delicious, it even had one of our distinguished guests guessing Griottes. All wines were served blind btw. What else is new, the DRC proved to be the best wine on the table. It was classic mint with red Christmas fruits and beef satay action. The LHB was all about the cassis and chocolate, and it delivered a great drinking experience. 1971 Bordeaux are definitely under investigated.

I am off to Hong Kong tomorrow, cheers to more excellent wines in store this week, for each and every one of us.

In Vino Veritas,
JK

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“Under the law of the U.S., intoxicating liquor must not be sold or supplied to a minor (at least age 21) in the course of business.”

根據香港法律,不得在業務過程中,向未成年人售賣或供應令人醺醉的酒類。
Under the law of Hong Kong, intoxicating liquor must not be sold or supplied to a minor in the course of business.

ARE YOU 21 YEARS OF AGE OR OLDER?

你是否已年滿十八歲?
Are you over 18 years old?

“Under the law of the U.S., intoxicating liquor must not be sold or supplied to a minor (at least age 21) in the course of business.”

根據香港法律,不得在業務過程中,向未成年人售賣或供應令人醺醉的酒類。
Under the law of Hong Kong, intoxicating liquor must not be sold or supplied to a minor in the course of business.

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